Strawberry Jam

May 16, 2012 • 3,188 notes • floriental

floriental:

The ship Discovery, Antarctica, 1901

May 16, 2012 • 498 notes • magnificentruin

I addition to the “like” button, I wish there was a “save for future ridicule” button.

Magnificent Ruin (via nevver)

(via nevver)

May 16, 2012 • 1,373 notes • nevver

nevver:

Ohhh…Alright…, Roy Lichtenstein

May 16, 2012 • 1,024 notes • nevver

nevver:

Allergic to small talk

May 16, 2012 • 88 notes • Flickr / enatnetnot

vert-fonce:

(by Renaldy Fernando)

(via stillfindingwally)

May 12, 2012 • 69,128 notes

(via the-slow-life)

May 12, 2012 • 9,684 notes • island-of-dreams8

(via cherche)

May 12, 2012 • 19,644 notes • bobblyjumper

(via cherche)

May 12, 2012 • 14 notes • romeoforgotjuliet

Death is really a great blessing for humanity, without it there could be no real progress. People who lived for ever would not only hamper and discourage the young, but they would themselves lack sufficient stimulus to be creative.

Alfred Adler (via cherche)

(via cherche)

May 12, 2012 • 9 notes • broken-crayon

broken-crayon:

Triangle Balls by chillerfortyseven on Flickr.

(via chippedteacups)

May 12, 2012 • 103 notes • tate.org.uk

cavetocanvas:

Joseph Beuys, Acer Platanoides, 1945

From the Tate Collection:

The natural sciences were one of Beuys’s great interests from an early age. As a child he collected and catalogued biological specimens and made a small laboratory in his house. His study was aided by a copy of Carl Linnaeus’s book of classification for the natural world, ‘Systema Naturae’, which Beuys was able to save from a Nazi book burning at his school library. This is the earliest work by Beuys in the ARTIST ROOMS collection, made when the artist was twenty-four years old. The leaf is from a Norway maple tree, a species native to central and eastern Europe.